4 result(s) tagged “Animation”

The Humans Are Dead

wall-e2.jpgA few caveats at the outset: Bad Dog Ginger was causing disruptions resulting from her intense interest in a cat at the drive-in, and five-month-old Emily was causing disruptions because her normal sleep schedule was itself disrupted. So I did not have the opportunity to concentrate fully on Pixar’s WALL•E.

But I doubt that my attention would have been rewarded. Once the movie zooms to a bustling cruise (space)ship, WALL•E is fine, but it felt like Monsters, Inc. 2 — manic and bright and silly.

transit4.jpgThe animated T.R.A.N.S.I.T. is a feature-film plot distilled into 10 minutes, and it shows the ways in which the short film is more forgiving than longer cinematic forms. This movie operates wordlessly almost as a plot outline, and it’s gorgeous to look at and challenging to keep up with. It feels like a small, perfectly cut gem.

On reflection, that’s a good analogy, because Piet Kroon’s 1997 short is a beautiful piece of visual craftsmanship that fails as art in any rational analysis.

With its sixth feature, Pixar succeeds wildly at its first human endeavor. But beyond The Incredibles’ myriad charms as entertainment, the movie could prove to be groundbreaking, building a bridge between the studio’s wonderful family-oriented work and a new way of making fantasy pictures. It portends great things.

’Toon Politics

What interested me most seeing Who Framed Roger Rabbit recently were the movie’s political implications.

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