More than a half-century separates these two movies, and they obviously live in different parts of town. Tod Browning’s horror classic Freaks was controversial upon its release in 1932 and hasn’t lost much shock value, with its use of real sideshow performers and the uncomfortable mixture of exploitation and sympathy. Peter Weir’s Witness is a mild drama about the Amish that masquerades as a cop thriller. (Or is a cop thriller disguised as an Amish drama?)
Yet the two have much in common.
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