Results tagged “George A. Romero”

Strength in Numbers

From 'Day of the Dead'
Among cinematic monsters with any staying power, is there any quite as pathetic as the zombie?

They have no special powers. They have minimal identity or personality. Up until 2002, when 28 Days Later and (I’m told) Resident Evil made them fleet of foot, they lumbered around. In most conceptions, they merely hunger for human flesh.

A single zombie is an easy target. A single shot to the brain kills it — permanently, for good this time — in George A. Romero’s world.

It is only their easy, efficient reproduction that gives them any power — the exponential way that four become eight become 16 become 32 become 64 etc. if each only munches on or infects one other person.

Eat the Rich

Is it any wonder the dead are fed up and primed for revolt? Is it any surprise that writer-director George A. Romero is cheering them on in Land of the Dead? And is it so hard to see these zombies as a blunt allegory for racial minorities, the impoverished, the politically disenfranchised? On the final question, apparently so.

Gore Porn

The 2004 version of Dawn of the Dead is as derivative as you’d expect and still manages to be, surprisingly, pretty damned good.

From Dawn to Day

Why are George A. Romero’s zombie sequels so effective? The performances are over-the-top and one-note, the music is dated and bad, they’re directed to showcase special effects rather than advance the story, and — really — they’re not terribly exciting or scary. Yet 1978’s Dawn of the Dead and 1985’s Day of the Dead remain great horror movies, two distinctive and very different films that showcase Romero’s peculiar gifts for social commentary and understanding human behavior.

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