The best part of Metallica: Some Kind of Monster is its reputed backstory. Commissioned by Metallica’s record label as a promotional film about the making of the metal band’s new album, it instead documented the group’s near-implosion. Yet as engaging as the film is, it’s still strangely amiss. It’s lean but feels too long; it’s probing through the camera’s omnipresence but too gentle and polite; and it’s revealing without ever getting to the heart of the band or its leaders.
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Perspective and the Past